The Failure of MoCA to serve the needs of Los Angelenos
MoCA does not represent the goals, aspirations, needs, or varied artistic creativity of Los Angeles. Contemporary art in general, has been about amusing and serving the desires of a tiny minority, the wealthy, and keeping art academies in business. It has no relevance to the life of Americans, and certainly not Los Angeles. No public funds should be used in any way. All efforts to keep the Museum financially stable, is completely on the audience it serves, the rich, and the Art Academies that rely on their patronization. If they cannot keep it afloat, it does not deserve to exist.
MoCA does not represent the goals, aspirations, needs, or varied artistic creativity of Los Angeles. Contemporary art in general, has been about amusing and serving the desires of a tiny minority, the wealthy, and keeping art academies in business. It has no relevance to the life of Americans, and certainly not Los Angeles. No public funds should be used in any way. All efforts to keep the Museum financially stable, is completely on the audience it serves, the rich, and the Art Academies that rely on their patronization. If they cannot keep it afloat, it does not deserve to exist.
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Privatizing the main site would be best, Museums such as the Norton Simon are of much higher quality, and involves far more and disparate peoples than MoCA ever has. The Museum of Latin American Art in Long Beach has far greater outreach, and relevance to the community it truly serves. Its finances are stable, and within reason, for public use, not private sources who use MoCA more for its own desires than the public good. Art has always been to define a community, who a people are, and their search for meaning in life, of god, and family. Contemporary art in general does none of this, being about self-expression, desires, and defining decadence in a Gilded Age of self-worship, which has now ended. The equivalent of the Academy of the nineteenth century, its day is over, if it ever truly had one.
Privatizing the main site would be best, Museums such as the Norton Simon are of much higher quality, and involves far more and disparate peoples than MoCA ever has. The Museum of Latin American Art in Long Beach has far greater outreach, and relevance to the community it truly serves. Its finances are stable, and within reason, for public use, not private sources who use MoCA more for its own desires than the public good. Art has always been to define a community, who a people are, and their search for meaning in life, of god, and family. Contemporary art in general does none of this, being about self-expression, desires, and defining decadence in a Gilded Age of self-worship, which has now ended. The equivalent of the Academy of the nineteenth century, its day is over, if it ever truly had one.
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The Modern Art of the Panza Collection should be sold to a modern museum, preferably the gallery at LACMA. They now have more than enough wall space, and need to keep upgrading an improving level of creative art. It could be kept, as the only truly valuable work in the Museum, being stolen fair and square. As Manhattan was for a few baubles, in the great American tradition of land deception and breaking of treaties. Or housed at the Geffen, and selling or renting the main site for another type of museum or other public usage. Selling the other works, whose prices have crashed forever, true worth now to be seen, could keep the Institution alive. And hopefully bring more of LA into it, looking for more and better art to inspire the imaginations and hearts of Los Angelenos, few of who know, or care, about the Contemporary, or its art.
The Modern Art of the Panza Collection should be sold to a modern museum, preferably the gallery at LACMA. They now have more than enough wall space, and need to keep upgrading an improving level of creative art. It could be kept, as the only truly valuable work in the Museum, being stolen fair and square. As Manhattan was for a few baubles, in the great American tradition of land deception and breaking of treaties. Or housed at the Geffen, and selling or renting the main site for another type of museum or other public usage. Selling the other works, whose prices have crashed forever, true worth now to be seen, could keep the Institution alive. And hopefully bring more of LA into it, looking for more and better art to inspire the imaginations and hearts of Los Angelenos, few of who know, or care, about the Contemporary, or its art.
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But the desires of the few, no matter how well connected or financed, should not induce the City or County of Los Angeles into any deals. A reprioritizing of values is now underway, the new Administration holding out the promise of uniting us as a whole, being about We, rather than the Meism of Contemporary “Art”. Sacrifice is now called for, not to promote the few, but by the whole, for the whole, including the wealthy, who hold the resources of our age to an inordinate degree. There are far greater needs at stake, our children, our homes, our livelihoods. Our planet and basic human values, God and Nature, Art has not addressed these fundamental human needs for generations.
But the desires of the few, no matter how well connected or financed, should not induce the City or County of Los Angeles into any deals. A reprioritizing of values is now underway, the new Administration holding out the promise of uniting us as a whole, being about We, rather than the Meism of Contemporary “Art”. Sacrifice is now called for, not to promote the few, but by the whole, for the whole, including the wealthy, who hold the resources of our age to an inordinate degree. There are far greater needs at stake, our children, our homes, our livelihoods. Our planet and basic human values, God and Nature, Art has not addressed these fundamental human needs for generations.
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And until it does, should not be financed by public funds, through grants, incentives, deals, property or direct cash infusions. Let the market it serves determine the outcome.
And until it does, should not be financed by public funds, through grants, incentives, deals, property or direct cash infusions. Let the market it serves determine the outcome.
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